What if I don't make it as a writer? That is the terrifying question that pops into my head every morning I don't write, every time I intend to work on my second novel and find a way to avoid it. I check my e-mail with a deep undercurrent of dread, knowing that I'm checking it for the fifth time in the hope that there will be something to which I must respond, so I might duck the writing I should be doing. I check my friends' blogs to see if they wrote anything of interest, rationalizing away my need to tell the story I set out to tell. I will be sure to get a lot done on it tomorrow. I just have to think about the characters a little more. That's actually part of the writing process, isn't it? And another day of writing disappears into a past from which it cannot be retrieved. And at some point during that day, the question that freezes my guts makes it's way up from the chilly depths of my personal hell: If I'm not a writer, what am I?
Thirty years ago, my possibilities were endless. I was smart and strong and healthy and capable. I had a future to fill with nearly anything I chose. So I chose to dabble in nearly everything, never mastering anything. I squandered opportunities, spit on good luck and assumed there would always be a second or third or tenth chance. I attended and quit college so many times I can't recall each instance, but I never did finish a degree. I moved from job to job to job without ever holding one for two full years. I expanded the breadth of my experience to the horizons without ever going deeper than the grass at my feet. If for nothing else, it was ideal preparation for writing fiction. But what if I don't use it to write and succeed as a writer?
I'm fifty-two, single, and broke, having accumulated none of the limited wealth that even the lowliest laborer expects by this age. My joints are trashed from years of manual labor and a passion for the slow demolition of the human frame that is sports. I can scrape by suffering through days of construction and handyman work for another decade or so, but to what end? The end? I cannot simply make a living anymore. If I have amassed nothing else in this world, I have accrued expectations of myself that I cannot shake. Having lost much, I am still a smart guy with some writing talent and broad experience to draw upon. I can use that to write and, if I work hard at it, write well.
I hope I am not too lazy to do that. Recent evidence leads me to believe it sometimes. Long and hard work can lift the less talented. Sloth and procrastination have bedeviled the talented and left them anonymous since we started scratching on cave walls. I think it is fear that keeps me from working hard, however. In the past, I have thought that passion dispels sloth. Perhaps I was wrong. I am passionate about writing, about fiction, about storytelling in any form. Do I fit the classical mold of Talented But Lazy? Maybe. But I think its more about being scared to find out I don't have the Talent part of that equation. Which leaves me back at the beginning: If I'm not a writer, what am I? And here is where I merge with the fears of every person who has ever been born or ever will be born. I fear that if I am not a writer, my life will not have mattered at all. If I cannot become an accomplished writer, I will fade to insignificance without ever having the compensations of love or wealth. I will die having been nothing special at all.
Can a guy have a deeper motivation to write than that?! I have been reading John Steinbeck's letters to his editor during the process of writing East of Eden. The man who had previously written Of Mice and Men and The Grapes of Wrath was scared he wasn't up to the task. He admitted to his hope that writing a novel would get easier with each success and his realization that this was a false hope. It is never easy or effortless. But he put his head down and marched forward anyway. For which we can all be thankful. So I suppose I will put my shoulder into it and work. Work and hope. But as has been said by many before me, I must never hope more than I work. I have to trust that work will dissipate my fear.
A Brief Message for January 20, 2025
11 months ago
Hi Dan,
ReplyDeleteAs you conclude near the end of your essay, actually sitting down and writing is very hard for many writers -- *all* writers I think. I was just reading a good article about creative writing programs. You might enjoy it; see: http://www.newyorker.com/arts/critics/atlarge/2009/06/08/090608crat_atlarge_menand
Anyway, the author said that the thing that creative wrting programs do best is take people with talent and then force them to actually Write, rather than Talk About Doing Some Writing Very Soon.
As far as mortality goes, I've had a lot of the same sorts of thoughts. Life, in its unceremonious way, has brought it to my attention that I am no longer Young and will actually be getting older. So one starts to consider what the sum of one's life will be. I have no answers, but I do know, Dan, that you are loved and cherished as a friend by many, including me, and I think that's worth something.
Uh oh. I don't think Emily has listened to your rants about writing programs.... ;o)
ReplyDeleteI don't think you're in the Talented but Lazy segment of the writing population. I struggle w/the same issues. You'll make it as a writer. At least you've had Bill's support and encouragement. He wouldn't have spent so much time and energy on someone who didn't have the chops.
Oh no, I'm familiar with Dan's thoughts on creative writing programs! Acutally, the New Yorker article is debating the usefulness of teaching creative writing, and how these programs impact the literary life of this country. The author notes many professors and graduates of creative writing MFA programs proclaim their complete uselessness at teaching writing...because that can't be done. They do, however, force people who hopefully have talent to actually produce writing and get it critiqued, rather than procrastinating. Because procrastinating is way easier.
ReplyDeleteI read the MFA article, Emily. Very good. As Bill told me, if you want to be a writer, write. If you want to teach, get an MFA. But Bill did say that an MFA program does give you the time and the expectation that you will write. That helps. But it also gives you models that distort your natural artistic bent to fit the accepted pattern. Bill warned often of the "workshopped story." Every story gets pushed in the same direction by the group. Nothing exceptional seems to come out of these workshops.
ReplyDeleteIf you learn a few basics, you know, show don't tell, limit adverbs and adjectives, blah blah blah, the rest is reading good work and writing. If you don't make it from there, it's not something you'll pick up from classes or teachers. You just don't have it to develop.
Today's Writers Almanac quoted William Styron as saying - writing is hell. I have thought every thought you have as well. It's a risk to spend so much time and effort on something and not know what will come of it.That's the problem for me - what if it's all for nothing? But why are we driven to do it at all? You know i believe our gifts are to be used - and you definitely have a gift, Dan.
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